Psychological Research: Palmer C, Spidle F, Koopmans E, et al. Peter Q. Pfordresher Publications: 6 Co-authored publications: 6. My research program combines two related issues in cognitive psychology: how people remember long sequences typical of speech and music, and how they produce those sequences.
Many theories of memory for speech, written language, pictures, and other human endeavors focus on the problem of serial order: knowing what comes next in a sequence. Music. The Sequence Production Lab at McGill University, headed by Dr. Caroline Palmer, investigates the behavioural and neural foundations (learning, memory, motor control, attention) that make it possible for people to produce auditory sequences, such as playing a musical instrument or speaking. Using motion capture techniques, we show how dynamic (time-dependent) properties of performers' motion indicate how personal identity may be rooted in voluntary, goal-directed actions (see A third theme addresses how people coordinate their actions with others. The research centre is located in Montreal and jointly affiliated with the University of Montreal and McGill University. (2019) Author accepted manuscript: Ears, head and eyes: When singers synchronize. From cradle to grave, people across all documented societies use music to soothe, to invigorate, to bond with others, and even to self-medicate. Not only must item information be recalled correctly in music, but temporal information (when and for how long events should occur) must also be recalled correctly. Loop enables you to stay up-to-date with the latest discoveries and news, connect with researchers and form new collaborations.
Address. Find a partner who marches to the beat of your own drum. By Cynthia Lee. We model with dynamical systems approaches how listeners are informed by the temporal fluctuations in music performance, by capitalizing on the systematic nature of the variability (see View Caroline Palmer's business profile as Director at McGill University. See the complete profile on LinkedIn and discover Caroline’s connections and jobs at similar companies. $9M for McGill research through CRC Program. Sequence Production Lab … Caroline Palmer, PhD. See our lab website for more information.Scheurich, R., Demos, A., Zamm, A., Mathias, B., & Palmer, C. (2019). 1747021819833968 Our civic address Pavillon Marie-Victorin/ Local A-108 90 Vincent-d’Indy Ave., Outremont, QC H2V 2S9 Our mailing address BRAMS / UdeM – FAS – Département de psychologie CP 6128, succ. Music, speech, and other auditory behaviors engage attention, intention, memory, motor control, and emotions. Most listeners perceive musical sequences as temporally regular, although beat-deaf individuals provide an exception (see Congratulations to former members Brian Mathias, Anna Zamm and Pierre Gianferrara on their new SPL publication in Congratulations to member Shannon Wright on her new SPL publication in Congratulations to former member Dr. Steven Livingstone on his new tenure-track position at Congratulations to member Rebecca Scheurich on her new SPL publication in
An ability to perceive temporal regularity is remarkable, given our findings that actual music performances are temporally irregular. My work has established that performers’ memory for musical sequences can be extremely accurate (smaller than 3% error rate), despite the complexity, length, and temporal requirements of music (see One theme of my research addresses the range or scope of planning in sequence production; the range of planning, similar to memory span measures that gauge short-term memory capacity, refers to the span of sequence items that are accessible at a given time during performance (see A second theme addresses the motor actions that underlie skilled performance, and properties of goal-directed movement that are specific to individuals. Many theories of memory for speech, written language, pictures, and other human endeavors focus on the problem of serial order: knowing what comes next in a sequence. Phone: (514) 398-6128. Co-authors. Listeners tend to perceive musical sequences as temporally regular; people without any musical training can clap along to continuously fluctuating music with little effort. We apply principles of nonlinear dynamics to understand how people move in response to sound (such as clapping or tapping their feet) and how they act in response to a partner in a joint task (such as musical ensemble). Dynamic (time-dependent) properties of motion specific to individuals and fingers inform about how personal identity may be rooted in voluntary, goal-directed actions (see A third theme of our research extends our memory findings to understanding how people perceive stable, categorical events in a continuously changing world. Newsroom. My research focuses on the time course of serial order in music performance, one of the most complex of human skills. Montreal, QC: Cognitive Science Society. Seifert, & C. Freksa (Eds.
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