dave smith 0b 6

To control all this firepower, you have a knob-per-function top panel and a silky-smooth, semi-weighted, velocity- and aftertouch-enabled keyboard. Bath Polyphonic 64-step sequencer Finally, set the filter mode to lowpass with resonance at maximum and grab the cutoff frequency knob. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. In this state, what you see is what you hear.This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio. It’s also worth noting that several of the tricks in this Master Class also apply to the Prophet 6, thanks to its similar architecture, so proud owners of that synth may find a few tidbits they can use as well.The cornerstone of the OB-6 sound is its spot-on re-creation of the original Oberheim SEM state-variable filter, which lets sound designers smoothly morph the filter slope from lowpass to notch to highpass (see Figure 1). Naturally, filter cutoff and the pitch and/or pulse width of VCO 1 are destinations, but because of the synth’s Oberheim heritage, there are several unique additions like sweeping the filter mode, as well as the ability to sweep the waveshape of VCO 1, like the Prophet 6.This may be obvious to seasoned programmers, but for those who are new to the X-Mod (and Poly-Mod) approach, it’s worth mentioning that you can use VCO 2 as a second LFO by simply hitting the Low Freq switch and turning keyboard tracking off (see Figure 4). The full-function arpeggiator can also be synced to external MIDI clock. Now, finally, the artillery you need. These days, DSI continues to merge the historic synths we love with exciting new innovations, such as partnering with other innovators including Roger Linn and Tom Oberheim to create cool new designs we love to share with our favorite customers.Sweetwater's Sales Engineers are regarded as the most experienced and knowledgeable professionals in the music industry, with extensive music backgrounds and intense training on the latest products and technologies. Even seasoned pros skip this feature because it doesn’t behave in an intuitive manner, so here’s an easy way to get the hang of applying them.In many ways, the OB-6’s X-Mod section is a variation on the classic Prophet Poly-Mod section, with its integration of both the filter envelope and oscillator 2 as modulation sources that can be applied to a wide array of synth parameters (see Figure 3). In/Out/Thru/USB You can configure the OB-6's Unison Mode voice count for up to six voices; it also features a chord memory and key modes.Sweetwater Sales Engineers help you buy music gear For the lifelong keyboardists and synth geeks at Sweetwater, Dave Smith is a bona fide legend.

The Dave Smith Instruments OB-6 is the result of a collaboration between Dave Smith and Tom Oberheim. 1 x USB Type B Online Guides. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path.Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Please check the fields highlighted in red. Analog distortion, reverbs, delay, chorus, flanger, phase, ring modulator Next, in the X-Mod section, set the VCO 2 modulation amount to around 2 o’clock.
Dave Smith Instruments OB-6 rocks six discrete analog voices with two oscillators and a sub oscillator per voice. Alternately, the filter can be switched to bandpass mode for a different range of textures. So the introduction of the OB6 is significant, and we should applaud Dave Smith and Tom Oberheim for working together to produce a polysynth that simultaneously feels familiar but produces a sound that is quite different from anything previously to emerge from the DSI stable. Protects from dust, liquid and accidental impact. Synthesizers. The all-analog signal path is completed by the OB-6's voltage-controlled amplifiers. Tom and Dave packed the OB-6 with everything on your wish list. Just leave VCO 2’s Low Freq mode in the off position with keyboard tracking active. Naturally, OB-6 is equipped with Dave's infamous X-mod (two sources, five destinations). Set the shape to a triangle wave, then tinker with the overall modulation amount in the X-Mod section, while simultaneously adjusting VCO 2’s pitch. Oops, looks like you forgot something.

Future Publishing Limited Quay House, The Ambury, From there, increase the detune amount until it starts to go too far out of tune, then back off it a bit. Thus, you can now control the “random” patterns in your DAW by simply changing the velocities for each note event.

"The OB-6 is a once-in-a-lifetime collaboration between two of the most influential synth designers in history — Dave Smith and Tom Oberheim.

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