Judith and the Head of Holofernes

As the protagonist of the Bible story (who saved her city from the enemy forces of Nebuchadnezzar II by seducing and then decapitating his general Holofernes), Judith had traditionally been regarded as a chaste and heroic figure. Klimt deliberately ignores any narrative reference whatsoever, and concentrates his pictorial rendering solely on Judith, so much so that he cuts off [ha ha] Holofernes' head at the right margin.

His most famous publication, Mannerist artists like Vasari chose to emphasize their concept of beauty rather than pictorial realism. In the late nineteenth century, Modern paintings of the scene often cast Judith nude, as was signalled already by Klimt. Cincinnati Art Museum Cincinnati, United States.

The same story has also been painted by artists such as Sandro Botticelli, Donatello, Artemesia Gentileshi, Giorgione, and Andrea Mantegna. This was a large painting that covered over half of the wall. Judith with the Head of Holofernes ca. Notwithstanding the alteration of features, one can recognize Klimt's friend and maybe lover, Viennese socialite, Adele Bloch-Bauer, the subject of two other portraits done in 1907 and 1912, and also painted in the Pallas Athena.

And there is no trace of bloodied sword, as if the heroine would have used a different weapon: an omission that legitimates association with Salome. The contrast between the black hair and the golden luminosity of the background enhance elegance and exaltation.

It depicts the biblical character of Judith holding the severed head of Holofernes.

In 1997, Russian artists Vitaliy Komar and Alexander Melamed painted a Sarah Henrich, "Living on the Outside of Your Skin: Gustav Klimt and Tina Blondell Show Us Judith", in 1530 Lucas Cranach the Elder German. Judith with the Head of Holofernes ca. And there is no trace of bloodied sword, as if the heroine would have used a different weapon: an omission that legitimates association with Judith's face exudes a mixed charge of voluptuousness and perversion. This small panel depicts an apocryphal Old Testament story that had particular meaning for the citizens of Florence. 1530 Lucas Cranach the Elder German. Vasari used a pose copied from Michelangelo’s Sistine Chapel ceiling, portraying Judith as a physically powerful woman, a visible indication of her inner courage.In this scene, Judith is unmistakably depicted as a powerful woman. In fact, many paintings exist describing the episode in a heroic manner, especially expressing Judith's courage and virtuous nature. The biblical heroine Judith, a beautiful widow from the town of Bethulia (likely present-day northern West Bank), came to the rescue when General Holofernes and the Assyrian army laid siege to her city. Bagoas closed the tent from outside and shut out the attendants from his master’s presence. This is the period of the When Rubens began commissioning reproductive prints of his work, the first was an engraving by The allegorical and exciting nature of the Judith and Holofernes scene continues to inspire artists.

It lives at the Belvedere Palace and Museum, Vienna in Vienna . The Viennese could not bring themselves to see this brazen femme fatale, who is clearly taking pleasure in her actions, as the pious Jewish widow how risked her virtue in order to save her city.

Before you get too agitated, male readers, please note that #notallmen are getting their heads cut off in the following paintings, just Holofernes. Judith appears as God's instrument of salvation, but the violence of her action cannot be denied and is dramatically shown in Caravaggio's rendering, as well as those of Gentileschi and Bigot. Judith is not a heroic tableau, but a masterpiece of eroticism. Judith appears as God's instrument of salvation, but the violence of her action cannot be denied and is dramatically shown in Klimt deliberately ignores any narrative reference whatsoever, and concentrates his pictorial rendering solely on to Judith, so much so that he cuts off Holofernes' head at the right margin. Boldly infiltrating the Assyrian camp, Judith dined with Holofernes and, once he was drunk, beheaded him with the help of her maid, Abra. Its traits are transfigured so as to obtain the greatest degree of intensity and seduction, which Klimt achieves by placing the woman on an unattainable plane. Its traits are transfigured so as to obtain the greatest degree of intensity and seduction, which Klimt achieves by placing the woman on an unattainable plane. Judith was a shrewd strategist who, knowing that her beauty could be an effective tool to charm her opponent, outsmarted the Assyrian general and saved her people.Giorgio Vasari was both a celebrated writer and a renowned painter and architect.

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